Saving Private Ryan

October 13, 2011

Saving Private Ryan (Sapphire Series)  [Blu-ray]

 (Sapphire Series) [Blu-ray]
Directed by Steven Spielberg

List Price:
$29.99

Price:
$18.41
& eligible for FREE Super Saver Shipping on orders over $25. Details

AMAZON-BUY-BUTTON7

Availability: Usually ships in 24 hours
Ships from and sold by DVDs_Electronics

64 new or used available from $13.45

Average customer review:
(1810 customer reviews)

Product Description

Steven Spielberg directed this powerful, realistic re-creation of WWII's D-day invasion and the immediate aftermath. The story opens with a prologue in which a veteran brings his family to the American cemetery at Normandy, and a flashback then joins Capt. John Miller (Tom Hanks) and GIs in a landing craft making the June 6, 1944, approach to Omaha Beach to face devastating German artillery fire. This mass slaughter of American soldiers is depicted in a compelling, unforgettable 24-minute sequence. Miller's men slowly move forward to finally take a concrete pillbox. On the beach littered with bodies is one with the name "Ryan" stenciled on his backpack. Army Chief of Staff Gen. George C. Marshall (Harve Presnell), learning that three Ryan brothers from the same family have all been killed in a single week, requests that the surviving brother, Pvt. James Ryan (Matt Damon), be located and brought back to the United States. Capt. Miller gets the assignment, and he chooses a translator, Cpl. Upham (Jeremy Davis), skilled in language but not in combat, to join his squad of right-hand man Sgt. Horvath (Tom Sizemore), plus privates Mellish (Adam Goldberg), Medic Wade (Giovanni Ribisi), cynical Reiben (Edward Burns) from Brooklyn, Italian-American Caparzo (Vin Diesel), and religious Southerner Jackson (Barry Pepper), an ace sharpshooter who calls on the Lord while taking aim. Having previously experienced action in Italy and North Africa, the close-knit squad sets out through areas still thick with Nazis. After they lose one man in a skirmish at a bombed village, some in the group begin to question the logic of losing more lives to save a single soldier. The film's historical consultant is Stephen E. Ambrose, and the incident is based on a true occurance in Ambrose's 1994 bestseller D-Day: June 6, 1944.


Product Details

  • Amazon Sales Rank: #632 in DVD
  • Brand: PARAMOUNT HOME VIDEO
  • Released on: 2010-05-04
  • Rating: R (Restricted)
  • Aspect ratio: 1.85:1
  • Number of discs: 2
  • Formats: AC-3, Color, Dolby, DTS Surround Sound, Dubbed, Subtitled, Widescreen
  • Original language: English, Spanish, French, Portuguese
  • Subtitled in: English, Spanish, French, Portuguese
  • Dubbed in: French, Portuguese, Spanish
  • Dimensions: .25 pounds
  • Running time: 169 minutes
Features
  • Condition: New
  • Format: Blu-ray
  • AC-3; Color; Dolby; DTS Surround Sound; Dubbed; Subtitled; Widescreen

Editorial Reviews

Amazon.com
When Steven Spielberg was an adolescent, his first home movie was a backyard war film. When he toured Europe with Duel in his 20s, he saw old men crumble in front of headstones at Omaha Beach. That image became the opening scene of Saving Private Ryan, his film of a mission following the D-day invasion that many have called the most realistic--and maybe the best--war film ever. With 1998 production standards, Spielberg has been able to create a stunning, unparalleled view of war as hell. We are at Omaha Beach as troops are slaughtered by Germans yet overcome the almost insurmountable odds. A stalwart Tom Hanks plays Captain Miller, a soldier's soldier, who takes a small band of troops behind enemy lines to retrieve a private whose three brothers have recently been killed in action. It's a public relations move for the Army, but it has historical precedent dating back to the Civil War. Some critics of the film have labeled the central characters stereotypes. If that is so, this movie gives stereotypes a good name: Tom Sizemore as the deft sergeant, Edward Burns as the hotheaded Private Reiben, Barry Pepper as the religious sniper, Adam Goldberg as the lone Jew, Vin Diesel as the oversize Private Caparzo, Giovanni Ribisi as the soulful medic, and Jeremy Davies, who as a meek corporal gives the film its most memorable performance. The movie is as heavy and realistic as Spielberg's Oscar-winning Schindler's List, but it's more kinetic. Spielberg and his ace technicians (the film won five Oscars: editing (Michael Kahn), cinematography (Janusz Kaminski), sound, sound effects, and directing) deliver battle sequences that wash over the eyes and hit the gut. The violence is extreme but never gratuitous. The final battle, a dizzying display of gusto, empathy, and chaos, leads to a profound repose. Saving Private Ryan touches us deeper than Schindler because it succinctly links the past with how we should feel today. It's the film Spielberg was destined to make. --Doug Thomas

From The New Yorker
Steven Spielberg's new picture, one of his best, is a sandwich. The meat of the tale concerns a bunch of U.S. Army Rangers, led by Captain John Miller (Tom Hanks), who are sent into Normandy to rescue Ryan (Matt Damon), the sole survivor of four brothers. On either side of this bold endeavor you get half an hour of unyielding combat: first, the D Day landings on Omaha Beach and, later, a consummate last stand in which too few Americans try to hold an inland bridge against too many Germans and too many tanks. Most viewers will be impressed but unsurprised by the central section; it feels wrought, and finely scripted (by Robert Rodat), and nudged by sentimentality. The reason that they will carry the movie lodged in their minds is the infernal, brain-shaking quality of the battle scenes; Spielberg obviously decided that blood and guts meant just that, and so he arranged his violence into a semblance of pure disorder. The illusion holds, complete with severed limbs and wellsprings of blood, and it feels honorable; Spielberg's preachy movies can be an awful grind, but, apart from a disposable coda, this new work is too swift (and often too inaudible) to weigh you down. It feels like an atonement for the sins of "Amistad." -Anthony Lane
Copyright © 2006 The New Yorker


Customer Reviews

Most helpful customer reviews

160 of 167 people found the following review helpful.
5"Saving Private Ryan" Blu-Ray Review
By Leif Sheppard
"Saving Private Ryan" is, by all accounts, an American masterpiece and one of the premier World War II films. Its release on Blu-Ray has been highly anticipated and, for the most part, it doesn't disappoint. First of all, the transfer is every bit as astonishingly sharp as expected. I am by no means a videophile, but there didn't appear to be a single moment of artificial enhancement of the film. The print is appropriately accompanied by a slight sheen of grain whilst still retaining a high level of detail. As far as I'm concerned this is an easy five star transfer. The film runs 2:49:28 and features audio and subtitles in English, French, Spanish, and Portuguese. Prior to the menu loading are two easily skippped trailers for the "Minority Report" Blu-Ray and the long overdue home video release of "The African Queen".
There are no features on the first disc, not even a commentary track (Spielberg is well known for his dislike of commentary tracks). The special features are included on the second disc and all are presented in standard definition with the exception of the two film trailers. This is disappointing but not surprising, as it's something of an industry trend. There were no new features produced for this release, which is especially surprising considering the wealth of new high definition features that were produced for the "Minority Report" Blu-Ray. The positive side is that it pulls the features from all previous DVD editions. So even if it is all in standard definition, at least the consumer is presented with the complete special features collection. Most of the titles are rather self-explanatory, but here's a complete rundown of the features:
1) "Introduction" (2:35) - Director Steven Spielberg discusses what attracted him to this project. This would've made more sense if it was included on the first disc with the film, as most will only put the second disc in after watching the film, thus making this more of an epilogue!
2) "Looking Into the Past" (4:40) - This functions as a sort of extension of the introduction, as Spielberg discusses the influences that ultimately led him to creating this film.
3) "Miller and His Platoon" (8:23) - This feature discusses the different personalities of the principle characters with particular focus on Tom Hank's character. Spielberg and Hanks also speak candidly about their interest in World War II in general. There's some interesting on-set footage included as well.
4) "Boot Camp" (7:37) - This features the great Captain Dale Dye discussing how he helped train the actors for their roles, as well as the unique boot camp the actors participated in during production.
5) "Making Saving Private Ryan" (22:05) - A strong making-of feature which highlights Spielberg's directing style relative to the film with some outstanding behind the scenes footage. This is far better than the typical promotional fluff studios place on video releases with a "making of" label attached.
6) "Re-Creating Omaha Beach" (17:58) - An interesting feature discussing how the crew mounted the most impressive battle scene of the film.
7) "Music and Sound" (15:59) - Composer John Williams discusses how he went about scoring the film.
8) "Parting Thoughts" (3:43) - A nice bookend feature that contains bits of interview footage with Hanks and Spielberg.
9) "Into the Breach: Saving Private Ryan" (25:01) - A standard behind-the-scenes feature covering production of the film. This feels like a promotional piece that was bumpered between films on television during its theatrical run. This feature was ported over from the original DVD release of the film and is in rather poor quality (even for standard definiton). I'm definitely glad they included this, but the "Making Saving Private Ryan" feature is far superior.
10) "Shooting War" (1:28:05) - Tom Hanks (in full beard, as this was filmed while "Cast Away" was under production) hosts this feature focusing on the men who filmed and photographed World War II. This is perhaps the strongest feature here, bolstered by plenty of amazing war footage and anecdotes from veterans.
11) Theatrical Trailer in High Definition (2:16)
12) Re-Release Trailer in High Definition (2:05)
To be fair, all the features truly do look quite excellent with the notable exception of the "Into the Breach" feature. I've been spoiled on the clarity of Blu-Ray, however, so it's still something of a disappointment. Aside from that, this is by far the best release of the film yet. The print is fantastic, it's a huge upgrade over the DVD, and the features are expansive and plentiful. Highly recommended!
UPDATE 05/11/10: Apparently this Blu-Ray has been recalled because of an audio sync problem that occurs after Chapter 15 (about two hours into the film). I was aware of the claims on its release date, but even after watching my copy twice I never encountered any issues. Still, for the company to take this sort of action proves the problem is indeed legitimate, so hopefully Paramount's response will be swift and painless for those who have already purchased this product.
FOLLOW-UP 05/26/10: The Blu-Ray issue has been resolved, Amazon only offers the corrected copies for sale and all other retailers should have them on the shelves now. If buying locally, the easiest way to tell the difference is to check the backside of the Blu-Ray for a yellow UPC sticker. Also, whereas the original defective discs were grey, the new corrected copies are blue discs.

201 of 234 people found the following review helpful.
5Unforgettable. The best war film ever made.
By Peggy Vincent
Some people advise others to close their eyes during the loooong opening scene of Spielberg's Saving Private Ryan. That would be a mistake. Yes, it's carnage, it's horrible, it's relentless, it's bloody, it's random death, it's a portrayal of fear and courage and raw coincidence. But it's also one of the most powerful pieces of cinematography ever filmed.
There are many other scenes that have stayed with me during the years since I last saw this unforgettable film, perhaps Spielberg's best ever. Perhaps the most poignant one that comes immediately to mind is the woman whose sons are all away at war. She's on a remote farm, washing dishes, and thru her window she sees the dust of approaching cars. She goes outside to meet the visitors, tenses as she sees military brass and a chaplain step from the cars, then crumples wordlessly to the worn boards of her front porch as she tries to take in the news: all her boys have been killed, except for one: Private Ryan.
Another related scene, the one that came just before this one, is equally gut-wrenching (and in both scenes, there is no dialogue, just heart-stabbing visuals that are more powerful than any words could have been) as a woman charged with sending out letters of the We Regret to Inform You variety realizes that she's seen three letters with the same address within the past few days, and she takes this terrible proof to her supervisor - and thus is born the search for the surviving son, to bring him home to his momma.
Tom Hanks, with his own persona of morality and honesty, is perfectly cast as the good Captain Miller, a soldier's soldier charged with this onerous task, and of course there is terrible cost.
Saving Private Ryan is the film Spielberg HAD to make. Outstanding, in every possible way.

83 of 94 people found the following review helpful.
5Very good War Film
By A Customer
I was very impressed by ths film. I thought it would probably turn out to be rather cliched but it did seem to have a newer perspective on WW2. Some people say the characters are stereotypical - well, I served in the British Army Reserves for four years and my platoon had a fierce Scot, joking Londoner, smiling Irishman and philosphical Welshman in it, plus me as the token University Boy so I think you'll find that real-life Army units can be like that. No African Americans? Since the US Army was segregated until the sixties that is hardly surprising. Caricatured Germans? Germans running away? Well, some of them DID run away you know - they weren't all ruthlessly obedient supermen, and some were no doubt far more fed up with the war that the allies were. It would have been nice to see some British soldiers about but they were some way East taking out Caen at the time, so again, not a surprise. I wasn't sure about the film's comment on Montgomery ("overrated") and the British divisions though; Monty was a very good general indeed, at least as good as Patton or Eisenhower, and if he was so overcautious then why did the British lose so many men and tanks taking Caen? I think you'll find that about 80% plus of all the German armour in Normandy was at Caen, directed against the British - not the sort of battle that can be won in an afternoon I'm sure you'll agree.

Excellent film though - the most realistic combat scenes you will ever see on celluloid by far, and the plot is at least believable.

By the way, thanks very much to the US armed forces for doing a fantastic job as our allies in WW2, and other times. Long may Britain and the US continue to stand up for freedom.

Comments are currently closed.

Powered by Blogger. Designed by elogi. Converted by Smashing Blogger for LiteThemes.com. Proudly powered by Blogger.